Photo Listing
THIS WEEK IN PHOTOS
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Girl at Gee's Bend, Alabama, Gelatin Silver, by Arthur Rothstein in 1937, Gift of Lewis W. Siegel ‘70 -
Arrest of the Paleteros, 32 color serigraph, by Frank Romero in 2010, Gallery purchase, Friends of Houghton - Paula Kalenik '71 -
Inheritance, Woodblock on chine collé, by Alison Saar in 2003, Gift of George D. and Freida B. Abraham Foundation -
Blissful Swing III, Linocut, by Vuyile Cameron Voyiya, 1990-1999, Gift of Edward T. Pollack ’55 in honor of HWS President Emeritus Mark D. Gearan L.H.D. ’17, P’21 and Mary Herlihy Gearan L.H.D. ’17, P’21 in recognition of their strong support for the performing arts. -
Eye of the Beholder, Serigraph by Robert Davidson in 1993, anonymous gift -
Khrushchev, Brezhnev, and Voroshilov, outside Council of Ministers Building, by Dmitri Baltermants. Gift from journalist George Stephanopoulos. The Stephanopoulos Collection features work from a range of photographers depicting politics and institutions, television and media, Civil Rights movements and the Great Depression. -
The Herons won bronze medals in both the varsity and second varsity eight at the Head of the Genesee to open the season. -
Hobart’s varsity eight won a bronze medal at the Head of the Charles. It was the fifth time the Statesmen have reached the podium at the event. -
In their second race of the season, the Herons had the first seven runners across the line as they posted a perfect score to win the Alfred Invitational. -
Mimi, Linocut by Elizabeth Catlett in 2007. Gallery purchase, The Art Collection Fund. Licensed by VAGA, New York, NY. -
People Have Enough Trouble Without Being Intimidated by an Artichoke, Lithograph, by Robert Rauschenberg in 1979, Gift of the George D. and Freida B. Abraham Foundation -
Woman, Print, by Georges Rouault in 1928, Department of Art and Architecture purchase -
Untitled, Ink and color on paper, Chiang Chaoshen in 1980 -
Early Classic Carved Bowl with Wave Design, Cut Foot and Deity Marks, 250-550, Ceramic, Loan of Dr. J. Philip Keeve '48 -
Otherworldly, Woodcut, by Karen Kunc in 2012, Gallery purchase, The Clarence A. Davis ’48 Endowed Fund for the Visual Arts -
How the West is One, Tintype wet collodion process, digitally printed on paper, by Will Wilson in 2012. Gallery purchase, The Clarence A. Davis '48 Endowed Fund for the Visual Arts.